Skip to content Skip to sidebar Skip to footer
Página inicial / The Art of the Story Daniel Halpern Pdf Free

The Art of the Story Daniel Halpern Pdf Free

Postar um comentário

American author and filmmaker, professor, and activist (1933–2004)

Susan Sontag
Susan Sontag 1979 ©Lynn Gilbert (headshot).jpg

Sontag in 1979
Built-in

Susan Rosenblatt


(1933-01-16)Jan 16, 1933

New York Metropolis, U.Southward.
Died Dec 28, 2004(2004-12-28) (aged 71)

New York City, U.S.
Resting place Montparnasse Cemetery, Paris, French republic
Nationality American
Didactics University of California, Berkeley
University of Chicago (BA)
Harvard Academy (MA)
Occupation
  • Novelist
  • essayist
  • filmmaker
Years active 1959–2004
Known for
  • Fiction
  • essays
  • nonfiction
Spouse(s)

Philip Rieff

​

​

(m. 1950; div. 1959)​

[1]
Partner(s) Annie Leibovitz (1989–2004)
Children David Rieff
Website www.susansontag.com Edit this at Wikidata

Susan Sontag (; January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist.[2] She more often than not wrote essays, but too published novels; she published her commencement major work, the essay "Notes on 'Military camp'", in 1964. Her all-time-known works include the critical works Confronting Interpretation (1966), Styles of Radical Will (1968), On Photography (1977), and Illness equally Metaphor (1978), as well every bit the fictional works The Way We Live Now (1986), The Volcano Lover (1992), and In America (1999).

Sontag was agile in writing and speaking about, or travelling to, areas of conflict, including during the Vietnam War and the Siege of Sarajevo. She wrote extensively about photography, civilisation and media, AIDS and illness, human rights, and leftist ideology. Her essays and speeches drew controversy,[3] and she has been described as "one of the almost influential critics of her generation."[4]

Early life and instruction

Sontag was born Susan Rosenblatt in New York Metropolis, the daughter of Mildred (née Jacobson) and Jack Rosenblatt, both Jews of Lithuanian[five] and Polish descent. Her father managed a fur trading business in China, where he died of tuberculosis in 1939, when Susan was five years old.[1] 7 years afterwards, Sontag's mother married U.S. Regular army helm Nathan Sontag. Susan and her sister, Judith, took their stepfather'due south surname, although he did not adopt them formally.[ane] Sontag did not have a religious upbringing and said she had not entered a synagogue until her mid-20s.[vi]

Remembering an unhappy childhood, with a cold, distant mother who was "always away", Sontag lived on Long Island, New York,[i] and then in Tucson, Arizona, and later in the San Fernando Valley in southern California, where she took refuge in books and graduated from Northward Hollywood Loftier School at the age of 15. She began her undergraduate studies at the University of California, Berkeley but transferred to the University of Chicago in admiration of its prominent cadre curriculum. At Chicago, she undertook studies in philosophy, aboriginal history, and literature alongside her other requirements. Leo Strauss, Joseph Schwab, Christian Mackauer, Richard McKeon, Peter von Blanckenhagen and Kenneth Shush were among her lecturers. She graduated at the age of eighteen with an A.B. and was elected to Phi Beta Kappa.[7] While at Chicago, she became best friends with fellow student Mike Nichols.[8] In 1951, her work appeared in print for the start time in the winter issue of the Chicago Review.[ix]

At 17, Sontag married writer Philip Rieff, who was a sociology teacher at the University of Chicago, after a x-twenty-four hour period courtship; their wedlock lasted eight years.[x] While studying at Chicago, Sontag attended a summertime schoolhouse taught by the sociologist Hans Heinrich Gerth [de] who became a friend and subsequently influenced her study of German language thinkers.[11] [12] Upon completing her Chicago degree, Sontag taught freshman English at the University of Connecticut for the 1952–53 bookish yr. She attended Harvard University for graduate school, initially studying literature with Perry Miller and Harry Levin before moving into philosophy and theology nether Paul Tillich, Jacob Taubes, Raphael Demos and Morton White.[thirteen] After completing her Principal of Arts in philosophy, she began doctoral enquiry into metaphysics, ethics, Greek philosophy and Continental philosophy and theology at Harvard.[14] The philosopher Herbert Marcuse lived with Sontag and Rieff for a twelvemonth while working on his 1955 volume Eros and Civilization.[fifteen] : 38 Sontag researched for Rieff's 1959 study Freud: The Mind of the Moralist earlier their divorce in 1958, and contributed to the volume to such an extent that she has been considered an unofficial co-author.[sixteen] The couple had a son, David Rieff, who went on to exist his mother'due south editor at Farrar, Straus and Giroux, as well equally a author in his own right.

Sontag was awarded an American Association of Academy Women's fellowship for the 1957–1958 bookish twelvemonth to St Anne's College, Oxford, where she traveled without her husband and son.[17] In that location, she had classes with Iris Murdoch, Stuart Hampshire, A. J. Ayer and H. L. A. Hart while besides attending the B. Phil seminars of J. L. Austin and the lectures of Isaiah Berlin. Oxford did not appeal to her, still, and she transferred after Michaelmas term of 1957 to the University of Paris (the Sorbonne).[18] In Paris, Sontag socialized with expatriate artists and academics including Allan Bloom, Jean Wahl, Alfred Chester, Harriet Sohmers and María Irene Fornés.[19] Sontag remarked that her fourth dimension in Paris was, perhaps, the most important period of her life.[xv] : 51–52 It certainly provided the basis of her long intellectual and creative association with the culture of France.[20] She moved to New York in 1959 to live with Fornés for the next 7 years,[21] regaining custody of her son[17] and education at universities while her literary reputation grew.[15] : 53–54

Fiction

Photo portrait of Sontag, 1966

While working on her stories, Sontag taught philosophy at Sarah Lawrence College and City University of New York and the Philosophy of Organized religion with Jacob Taubes, Susan Taubes, Theodor Gaster, and Hans Jonas, in the Religion Department at Columbia University from 1960 to 1964. She held a writing fellowship at Rutgers University for 1964 to 1965 earlier ending her relationship with academia in favor of full-time freelance writing.[15] : 56–57

At historic period 30, she published an experimental novel chosen The Benefactor (1963), post-obit it four years later with Decease Kit (1967). Despite a relatively pocket-sized output, Sontag thought of herself principally as a novelist and writer of fiction. Her brusque story "The Way We Live Now" was published to great acclamation on Nov 24, 1986 in The New Yorker. Written in an experimental narrative way, information technology remains a significant text on the AIDS epidemic. She achieved late popular success every bit a acknowledged novelist with The Volcano Lover (1992). At age 67, Sontag published her final novel In America (2000). The final ii novels were fix in the past, which Sontag said gave her greater freedom to write in the polyphonic voice:

In a print store most the British Museum, in London, I discovered the volcano prints from the book that Sir William Hamilton did. My very outset idea—I don't think I have e'er said this publicly—was that I would propose to FMR (a wonderful art magazine published in Italy which has beautiful art reproductions) that they reproduce the volcano prints and I write some text to accompany them. But then I started to attach to the real story of Lord Hamilton and his married woman, and I realized that if I would locate stories in the by, all sorts of inhibitions would drop away, and I could practise epic, polyphonic things. I wouldn't just exist within somebody's head. Then there was that novel, The Volcano Lover.

—Sontag, writing in The Atlantic (Apr 13, 2000)[22]

She wrote and directed four films and also wrote several plays, the virtually successful of which were Alice in Bed and Lady from the Bounding main.[ citation needed ]

The cover of Against Interpretation (1966), which contains some of Sontag'south best-known essays

Nonfiction

It was through her essays that Sontag gained early on fame and notoriety. Sontag wrote frequently well-nigh the intersection of high and low art and expanded the dichotomy concept of grade and art in every medium. She elevated camp to the status of recognition with her widely read 1964 essay "Notes on 'Camp,'" which accepted fine art equally including common, absurd and caricatural themes.

In 1977, Sontag published the serial of essays On Photography. These essays are an exploration of photographs equally a collection of the world, mainly past travelers or tourists, and the manner nosotros feel information technology. In the essays, she outlined her theory of taking pictures as you lot travel:

The method especially appeals to people handicapped by a ruthless piece of work ethic—Germans, Japanese and Americans. Using a photographic camera appeases the anxiety which the work driven feel virtually not working when they are on holiday and supposed to exist having fun. They take something to practise that is like a friendly imitation of work: they tin can accept pictures. (p. 10)

Sontag writes that the convenience of modern photography has created an overabundance of visual material, and "simply about everything has been photographed."[23] : 3 This has altered our expectations of what nosotros have the right to view, desire to view or should view. "In pedagogy us a new visual code, photographs alter and enlarge our notion of what is worth looking at and what we have the right to discover" and has changed our "viewing ethics."[23] : 3 Photographs have increased our access to cognition and experiences of history and faraway places, but the images may replace direct experience and limit reality.[23] : x–24 She also states that photography desensitizes its audience to horrific human experiences, and children are exposed to experiences before they are ready for them.[23] : 20

Sontag connected to theorize nearly the part of photography in real life in her essay "Looking at War: Photography'due south View of Devastation and Death," which appeared in the December 9, 2002 issue of The New Yorker. There she concludes that the trouble of our reliance on images and especially photographic images is not that "people retrieve through photographs merely that they recall only the photographs ... that the photographic image eclipses other forms of understanding—and remembering. ... To remember is, more than and more, not to recall a story but to be able to remember a picture" (p. 94).

She became a role-model for many feminists and aspiring female writers during the 1960s and 1970s.[xv]

Activism

Sontag became politically active in the 1960s, opposing the Vietnam War.[15] : 128–129 In January 1968, she signed the "Writers and Editors War Revenue enhancement Protest" pledge, vowing to pass up to pay a proposed 10% Vietnam War surtax.[24] In May 1968, she visited Hanoi; afterwards, she wrote positively nigh North Vietnamese guild in her essay Trip to Hanoi.[15] : 130–132

The one-time Sarajevo paper building during the Siege of Sarajevo, when Sontag lived in the city

During 1989 Sontag was the President of PEN American Heart, the main U.S. branch of the International PEN writers' arrangement. After Iranian leader Ayatollah Khomeini issued a fatwa death sentence against writer Salman Rushdie for irreverence afterward the publication of his novel The Satanic Verses that yr, Sontag'due south uncompromising support of Rushdie was crucial in rallying American writers to his crusade.[25]

A few years later on, during the Siege of Sarajevo, Sontag gained attending for directing a product of Samuel Beckett's Waiting for Godot in a candlelit theater in the Bosnian uppercase, cut off from its electricity supply for 3 and a one-half years. Sarajevo's besieged residents reaction was noted equally:

To the people of Sarajevo, Ms. Sontag has become a symbol, interviewed frequently past the local newspapers and television, invited to speak at gatherings everywhere, asked for autographs on the street. After the opening performance of the play, the city'south Mayor, Muhamed Kreševljaković, came onstage to declare her an honorary citizen, the only foreigner other than the recently departed United nations commander, Lieut. Gen. Phillippe Morillon, to be so named. "It is for your bravery, in coming here, living here, and working with united states," he said.[26]

Personal life

Sontag'southward female parent died of lung cancer in Hawaii in 1986.[1]

Sontag died in New York City on December 28, 2004, aged 71, from complications of myelodysplastic syndrome which had evolved into acute myelogenous leukemia. She is cached in Paris at Cimetière du Montparnasse.[27] Her concluding disease has been chronicled by her son, David Rieff.[28]

Sexuality and relationships

Sontag became enlightened of her bisexuality during her early teens and at fifteen wrote in her diary, "I experience I accept lesbian tendencies (how reluctantly I write this)." At 16, she had a sexual meet with a woman: "Perhaps I was boozer, after all, because it was so beautiful when H began making dear to me... It had been 4:00 before we had gotten to bed... I became fully conscious that I desired her, she knew it, likewise."[29] [30]

Sontag lived with 'H,' the writer and model Harriet Sohmers Zwerling, whom she first met at U. C. Berkeley from 1958 to 1959. Afterward, Sontag was the partner of María Irene Fornés, a Cuban-American avant garde playwright and director. Upon splitting with Fornés, she was involved with an Italian aristocrat, Carlotta Del Pezzo, and the German bookish Eva Kollisch.[31] Sontag was romantically involved with the American artists Jasper Johns and Paul Thek.[32] [33] During the early 1970s, Sontag lived with Nicole Stéphane, a Rothschild banking heiress turned movie actress,[34] and, later, the choreographer Lucinda Childs.[35] She also had a human relationship with the writer Joseph Brodsky.[36] With Annie Leibovitz, Sontag maintained a human relationship stretching from the later on 1980s until her terminal years.[37]

Sontag had a close romantic relationship with photographer Annie Leibovitz. They met in 1989, when both had already established notability in their careers. Leibovitz has suggested that Sontag mentored her and constructively criticized her piece of work. During Sontag'southward lifetime, neither woman publicly disclosed whether the human relationship was a friendship or romantic in nature. Newsweek in 2006 made reference to Leibovitz'south decade-plus relationship with Sontag, stating, "The two first met in the late '80s, when Leibovitz photographed her for a book jacket. They never lived together, though they each had an apartment within view of the other's."[38] Leibovitz, when interviewed for her 2006 book A Photographer'south Life: 1990–2005, said the book told a number of stories, and that "with Susan, it was a love story."[39] While The New York Times in 2009 referred to Sontag as Leibovitz's "companion,"[40] Leibovitz wrote in A Lensman'south Life that, "Words like 'companion' and 'partner' were not in our vocabulary. Nosotros were ii people who helped each other through our lives. The closest word is still 'friend.'"[41] That same year, Leibovitz said the descriptor "lover" was accurate.[42] She later reiterated, "Call united states of america 'lovers.' I like 'lovers.' You know, 'lovers' sounds romantic. I hateful, I want to exist perfectly articulate. I love Susan."[43]

In an interview in The Guardian in 2000, Sontag was quite open about bisexuality:

'Shall I tell you about getting older?', she says, and she is laughing. 'When yous get older, 45 plus, men stop fancying you. Or put it another way, the men I fancy don't fancy me. I want a immature human. I dear beauty. So what'due south new?' She says she has been in love seven times in her life. 'No, hang on,' she says. 'Actually, it's ix. Five women, four men.'[one]

Many of Sontag's obituaries failed to mention her significant same-sexual practice relationships, near notably that with Annie Leibovitz. In response to this criticism, Daniel Okrent, public editor of The New York Times defended the newspaper's obituary, stating that at the time of Sontag'south death, a reporter could make no independent verification of her romantic relationship with Leibovitz (despite attempts to do and so).[44] Afterwards Sontag'southward decease, Newsweek published an commodity almost Annie Leibovitz that made clear references to her decade-plus relationship with Sontag.[37]

Sontag was quoted by Editor-in-Chief Brendan Lemon of Out magazine as saying "I grew up in a time when the modus operandi was the 'open up secret.' I'm used to that, and quite OK with it. Intellectually, I know why I haven't spoken more about my sexuality, but I exercise wonder if I oasis't repressed something there to my detriment. Maybe I could have given comfort to some people if I had dealt with the subject of my private sexuality more, but information technology'southward never been my prime number mission to give comfort, unless somebody's in desperate demand. I'd rather give pleasure, or shake things upwardly."[45]

Legacy

Following Sontag's decease, Steve Wasserman of the Los Angeles Times called her "one of America's nearly influential intellectuals, internationally renowned for the passionate engagement and breadth of her critical intelligence and her ardent activism in the cause of human rights."[46] Eric Homberger of The Guardian called Sontag "the 'Nighttime Lady' of American cultural life for over four decades."[47] He observed that "despite a brimming and tartly phrased political sensibility, she was fundamentally an aesthete [who] offered a reorientation of American cultural horizons."[47]

Writing about Against Interpretation (1966), Brandon Robshaw of The Independent subsequently observed that "Sontag was remarkably prescient; her project of analysing popular culture also as high culture, the Doors as well equally Dostoevsky, is now common exercise throughout the educated world."[48] In Critique and Postcritique (2017), Rita Felski and Elizabeth S. Anker argue that the championship essay from the aforementioned collection played an of import role in the field of postcritique, a motility inside literary criticism and cultural studies that attempts to notice new forms of reading and interpretation that become across the methods of critique, critical theory, and ideological criticism.[49]

Reviewing Sontag'due south On Photography (1977) in 1998, Michael Starenko wrote that the work "has become and then deeply absorbed into this discourse that Sontag'southward claims about photography, besides as her mode of argument, have become part of the rhetorical 'tool kit' that photography theorists and critics comport around in their heads."[50]

Criticism

White civilization equally a cancer

Sontag drew criticism for writing in 1967 in Partisan Review:

If America is the culmination of Western white civilisation, as everyone from the Left to the Right declares, then there must be something terribly incorrect with Western white civilization. This is a painful truth; few of us desire to become that far.... The truth is that Mozart, Pascal, Boolean algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, Balanchine ballets, et al, don't redeem what this detail civilization has wrought upon the globe. The white race is the cancer of human history; information technology is the white race and information technology alone—its ideologies and inventions—which eradicates democratic civilizations wherever it spreads, which has upset the ecological balance of the planet, which now threatens the very existence of life itself.[2]

According to journalist Mark Thou. Goldblatt, Sontag later on made a "sarcastic retraction, saying the line slanders cancer patients."[51] According to Eliot Weinberger, "She came to regret that terminal phrase, and wrote a whole book against the apply of illness every bit metaphor." However, he writes, this didn't lead to any "public curiosity about those who are non cancerously white." "She may well take been the last unashamed Eurocentrist."[52]

Allegations of plagiarism

Ellen Lee accused Sontag of plagiarism when Lee discovered at least twelve passages in In America (1999) that were similar to, or copied from, passages in four other books about Helena Modjeska without attribution.[53] [54] Sontag said about using the passages, "All of us who deal with existent characters in history transcribe and prefer original sources in the original domain. I've used these sources and I've completely transformed them. There's a larger argument to be fabricated that all of literature is a series of references and allusions."[55]

In a 2007 letter to the editor of the Times Literary Supplement, John Lavagnino identified an unattributed citation from Roland Barthes' 1970 essay "S/Z" in Sontag's 2004 spoken language "At the Same Fourth dimension: The Novelist and Moral Reasoning," delivered as the Nadine Gordimer Lecture in March 2004.[56] Further enquiry led Lavagnino to identify several passages which appeared to accept been taken without attribution from an essay on hypertext fiction by Laura Miller, originally published in the New York Times Volume Review six years earlier. [57] Writing for the Observer, Michael Calderone interviewed Sontag's publisher nigh the allegations, who argued, "This was a speech, non a formal essay," and that "Susan herself never prepared it for publication."[58]

On Communism

At a New York pro-Solidarity rally in 1982, Sontag stated that "people on the left," like herself, "have willingly or unwillingly told a lot of lies."[59] She added that they:

believed in, or at least applied, a double standard to the angelic language of Communism ... Communism is Fascism—successful Fascism, if yous volition. What we have called Fascism is, rather, the class of tyranny that can exist overthrown—that has, largely, failed. I repeat: non only is Fascism (and overt military rule) the likely destiny of all Communist societies—especially when their populations are moved to revolt—merely Communism is in itself a variant, the about successful variant, of Fascism. Fascism with a human face... Imagine, if you will, someone who read only the Reader's Digest between 1950 and 1970, and someone in the same period who read simply The Nation or [t]he New Statesman. Which reader would have been better informed about the realities of Communism? The answer, I think, should give the states pause. Can information technology be that our enemies were right?[59]

Sontag's speech reportedly "drew boos and shouts from the audience." The Nation published her oral communication, excluding the passage contrasting the magazine with Reader'due south Assimilate. Responses to her statement were varied. Some said that Sontag's current sentiments had been, in fact, held by many on the left for years, while others defendant her of betraying "radical ideas."[59]

On the September 11 attacks

Sontag received aroused criticism for her remarks in The New Yorker (September 24, 2001) almost the immediate aftermath of 9/eleven.[60] In her commentary, she referred to the attacks as a "monstrous dose of reality" and criticized U.S. public officials and media commentators for trying to convince the American public that "everything is O.K." Specifically, she opposed the idea that the perpetrators were "cowards," a comment George W. Bush made among other remarks on September 11. Rather, she argued the country should see the terrorists' actions non as "a 'cowardly' assault on 'civilisation' or 'freedom' or 'humanity' or 'the free earth' just an attack on the world'due south cocky-proclaimed superpower, undertaken every bit a consequence of specific American alliances and actions."[61]

Criticisms from other writers

Tom Wolfe dismissed Sontag as "simply some other scribbler who spent her life signing up for protest meetings and lumbering to the podium encumbered by her prose style, which had a handicapped parking sticker valid at Partisan Review."[62]

In "Sontag, Bloody Sontag", an essay in her 1994 volume Vamps & Tramps, critic Camille Paglia describes her initial admiration and subsequent disillusionment.[63] She mentions several criticisms of Sontag, including Harold Bloom'due south comment of "Mere Sontagisme!" on Paglia'south doctoral dissertation, and states that Sontag "had become synonymous with a shallow kind of hip posturing."[64] Paglia also tells of a visit by Sontag to Bennington College, in which she arrived hours late and ignored the agreed-upon topic of the event.[65]

Sontag's cool self-exile was a disaster for the American women'due south motility. Only a adult female of her prestige could take performed the necessary critique and debunking of the starting time instant-canon feminist screeds, such as those by Kate Millett or Sandra Gilbert and Susan Gubar, whose middlebrow mediocrity crippled women's studies from the first ... No patriarchal villains held Sontag back; her failures are her ain.

—Camille Paglia

Nassim Nicholas Taleb in his book Skin in the Game criticizes Sontag and other people with extravagant lifestyles who nevertheless declare themselves "against the marketplace organisation". Taleb assesses Sontag's shared New York mansion at $28 one thousand thousand, and states that "information technology is immoral to exist in opposition to the market arrangement and not live (somewhere in Vermont or Northwestern Afghanistan) in a hut or cave isolated from it." Taleb also argues that it is even more immoral to "claim virtue without fully living with its direct consequences."[66] [67]

Works

Fiction

  • (1963) The Benefactor ISBN 0-385-26710-X
  • (1967) Decease Kit ISBN 0-312-42011-0
  • (1977) I, etcetera (Drove of short stories) ISBN 0-374-17402-four
  • (1991) "The Way Nosotros Live Now" (brusque story) ISBN 0-374-52305-iii
  • (1992) The Volcano Lover ISBN 1-55800-818-7
  • (1999) In America ISBN one-56895-898-6 – winner of the 2000 U.S. National Book Award for Fiction[68]

Plays

  • The Way We Live At present (1990) well-nigh the AIDS epidemic
  • A Parsifal (1991), a deconstruction inspired by Robert Wilson's 1991 staging of the Wagner opera[69]
  • Alice in Bed (1993), well-nigh 19th century intellectual Alice James, who was confined to bed by illness[70]
  • Lady from the Sea, an accommodation of Henrik Ibsen's 1888 play of the same name, premiered in 1998 in Italy.[71] Sontag wrote an essay almost it in 1999 in Theatre called "Rewriting Lady from the Sea."[72]

Nonfiction

Collections of essays

  • (1966) Against Estimation ISBN 0-385-26708-8 (includes Notes on "Camp")
  • (1969) Styles of Radical Volition ISBN 0-312-42021-8
  • (1980) Nether the Sign of Saturn ISBN 0-374-28076-2
  • (2001) Where the Stress Falls ISBN 0-374-28917-iv
  • (2003) Regarding the Hurting of Others ISBN 0-374-24858-3
  • (2007) At the Same Time: Essays & Speeches ISBN 0-374-10072-1 (edited by Paolo Dilonardo and Anne Jump, with a foreword by David Rieff)

Sontag also published nonfiction essays in The New Yorker, The New York Review of Books, Times Literary Supplement, The Nation, Granta, Partisan Review and the London Review of Books.

Monographs

  • (1959) Freud: The Mind of the Moralist [73]
  • (1977) On Photography ISBN 0-374-22626-ane
  • (1978) Illness as Metaphor ISBN 0-394-72844-0
  • (1988) AIDS and Its Metaphors (a continuation of Illness as Metaphor) ISBN 0-374-10257-0
  • (2003) Regarding the Hurting of Others ISBN 0-374-24858-3

Films

  • (1969) Duett för kannibaler (Duet for Cannibals)
  • (1971) Broder Carl (Blood brother Carl)
  • (1974) Promised Lands
  • (1983) Unguided Tour AKA Letter from Venice

Other works

  • (2002) Liner notes for the Patti Smith album Land
  • (2004) Contribution of phrases to Fischerspooner'due south third album Odyssey
  • (2008) Reborn: Journals and Notebooks 1947–1963
  • (2012) As Consciousness Is Harnessed to Mankind: Journals and Notebooks, 1964–1980. ISBN 978-0374100766

Awards and honors

  • 1977: National Book Critics Circle Award for On Photography [74]
  • 1990: MacArthur Fellowship[75]
  • 1992: Malaparte Prize, Italy[76]
  • 1999: Commandeur des Arts et des Lettres, France[76]
  • 2000: National Book Award for In America [68]
  • 2001: Jerusalem Prize, awarded every two years to a author whose work explores the freedom of the individual in society.[76]
  • 2002: George Polk Award, for Cultural Criticism for "Looking at State of war," in The New Yorker [76]
  • 2003: Honorary Doctorate of Tübingen University[ citation needed ]
  • 2003: Friedenspreis des Deutschen Buchhandels during the Frankfurt Book Fair[77]
  • 2003: Prince of Asturias Award on Literature.[78]
  • 2004: Two days after her expiry, Muhidin Hamamdzic, the mayor of Sarajevo announced the urban center would name a street after her, calling her an "author and a humanist who actively participated in the cosmos of the history of Sarajevo and Bosnia." Theatre Square outside the National Theatre was promptly proposed to be renamed Susan Sontag Theatre Square.[79] Information technology took 5 years, however, for that tribute to become official.[80] [81] On Jan 13, 2010, the urban center of Sarajevo posted a plate with a new street name for Theater Square: Theater Square of Susan Sontag.[80]

Digital annal

A digital archive of 17,198 of Sontag's emails is kept past the UCLA Department of Special Collections at the Charles Eastward. Immature Research Library.[82] Her archive—and the efforts to arrive publicly available while protecting it from chip rot—are the subject of the book On Excess: Susan Sontag's Born-Digital Archive, by Jeremy Schmidt and Jacquelyn Ardam.[83]

Documentary

A documentary nigh Sontag directed by Nancy Kates, titled Regarding Susan Sontag, was released in 2014.[84] Information technology received the Special Jury Mention for Best Documentary Feature at the 2014 Tribeca Film Festival.[84] [85]

See as well

  • LGBT culture in New York Urban center
  • List of LGBT people from New York Urban center

Notes

  1. ^ a b c d e f Mackenzie, Suzie (May 27, 2000). "Finding fact from fiction". The Guardian. ISSN 0261-3077. Retrieved December fourteen, 2017.
  2. ^ a b Sontag, Susan (1967). "What'due south Happening to America? (A Symposium)". Partisan Review. 34 (1): 57–58. Archived from the original on September 12, 2018.
  3. ^ Wolfe, Tom (Oct 31, 2000). Hooking Up. ISBN978-0374103828.
  4. ^ "Susan Sontag", The New York Review of Books, accessed December 19, 2012
  5. ^ "Susan Sontag Receives German Peace Prize, Criticizes U.S." DW.COM.
  6. ^ "Susan Sontag | Jewish Women's Annal". Jwa.org. Retrieved June thirteen, 2012.
  7. ^ "A Epicurean Reader", Interview with M. McQuade in Poague, pp. 271–278.
  8. ^ Turow, Scott (May sixteen, 2013). "A Fourth dimension When Things Started in Chicago". The New York Times . Retrieved May 19, 2013.
  9. ^ Sontag, Susan (1951). "Review of The Plenipotentiaries". Chicago Review. 5 (i): 49–fifty. doi:10.2307/25292888. JSTOR 25292888.
  10. ^ Sontag, Susan. Reborn: Journals and Notebooks 1947–1963, ed. D. Rieff, Farrar, Straus and Giroux, 2008, p. 144.
  11. ^ Susan Sontag: Public Intellectual, Polymath, Provocatrice. July 7, 2008. Archived from the original on November 7, 2021 – via YouTube.
  12. ^ Vidich, Arthur J. (2009). "Showtime Years at The New Schoolhouse" (PDF). With a Critical Eye: An Intellectual and His Times. Knoxville, TN: Newfound Press. p. 370. ISBN978-0979729249. Archived from the original (PDF) on Dec 25, 2013.
  13. ^ See Susan Sontag, 'Literature is Freedom' in At the Same Time, ed. P. Dilonardo and A. Jump, Farrar, Straus and Giroux, 2007, p.206 and Morton White, A Philosopher's Story, Pennsylvania University Printing, 1999, p. 148. See also Rollyson and Paddock, pp. 39–40 and Daniel Horowitz "Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World", University of Pennsylvania, 2012, p. 314.
  14. ^ "Putting her torso on the line: the critical acts of Susan Sontag, Part I."
  15. ^ a b c d e f thousand Rollyson and Paddock.
  16. ^ Rollyson, Carl; Paddock, Lisa (2000). Susan Sontag: The Making of Icon. New York: W. Due west. Norton & Company. pp. forty–41. ISBN0-393-04928-0.
  17. ^ a b Sante, Luc. "Sontag: The Precocious Years", Dominicus Book Review, The New York Times, January 29, 2009, accessed December xix, 2012
  18. ^ See Morton White, A Philosopher's Story, Pennsylvania University Printing, 1999, p.148; and Rollyson and Paddock, pp. 43–45
  19. ^ Field, Edward. The Man Who Would Ally Susan Sontag, Wisconsin, 2005, pp. 158–170; Rollyson and Paddock, pp. 45–50; and Reborn: Journals and Notebooks 1947–1963, ed. D. Rieff, Farrar, Straus and Giroux, 2008, pp. 188–189.
  20. ^ "An Emigrant of Thought", interview with Jean-Louis Servan-Schreiber, in Poague, pp. 143–164
  21. ^ Moore, Patrick. "Susan Sontag and a Case of Curious Silence", Los Angeles Times, Jan iv, 2005, accessed December 18, 2012
  22. ^ "Susan Sontag—whose new novel, In America, has simply been published—doesn't feel at domicile in New York, or anywhere else. And that's the mode she likes it". Atlantic Unbound, The Atlantic's online journal. The Atlantic. Apr 13, 2000. Retrieved October 31, 2017.
  23. ^ a b c d Sontag, Susan, "On Photography", 1977
  24. ^ "Writers and Editors War Tax Protest" Jan 30, 1968 New York Post.
  25. ^ Hitchens, Christopher. "Assassins of the Listen", Vanity Fair, February 2009, accessed Dec 18, 2012
  26. ^ John F. Burns (August 19, 1993). "To Sarajevo, Author Brings Good Volition and 'Godot'". New York Times . Retrieved February 25, 2014.
  27. ^ Wilson, Scott. Resting Places: The Burial Sites of More 14,000 Famous Persons, 3d ed.: two (Kindle Location 44249). McFarland & Company, Inc., Publishers. Kindle Edition.
  28. ^ Katie Roiphe (Feb 3, 2008). "Swimming in a Sea of Death: A Son's Memoir – David Rieff – Book Review". The New York Times . Retrieved February 23, 2008.
  29. ^ Susan Sontag: 'It was so beautiful when H began making love to me', Paul Bignell, The Independent on Sun, November xvi, 2008
  30. ^ Reborn: Early Diaries, 1947–1964, Penguin, January 2009
  31. ^ Run across Susan Sontag, As Consciousness is Harnessed to Flesh, p.262, 269.
  32. ^ "The Passion of Susan Sontag".
  33. ^ Paul Thek Artist'south Artist ed. H. Falckenberg.
  34. ^ Leo Lerman, "The Chiliad Surprise: The Journals of Leo Lerman", NY: Knopf, 2007, folio 413
  35. ^ Susan Sontag (September 10, 2006). "On Self". The New York Times Mag . Retrieved February 23, 2008.
  36. ^ Meet Sigrid Nunez, Sempre Susan: A Memoir of Susan Sontag, p.31.
  37. ^ a b McGuigan, Cathleen. "Through Her Lens", Newsweek, October ii, 2006
  38. ^ Cathleen McGuigan (October 2, 2006). "Through Her Lens". Newsweek. Archived from the original on Baronial 29, 2007. Retrieved July 19, 2007.
  39. ^ Janny Scott (October 6, 2006). "From Annie Leibovitz: Life, and Decease, Examined". The New York Times . Retrieved July nineteen, 2007.
  40. ^ Salkin, Allen (July 31, 2009). "For Annie Leibovitz, a Fuzzy Fiscal Picture". The New York Times . Retrieved June 17, 2014.
  41. ^ Brockes, Emma (Nov 17, 2011). "My fourth dimension with Susan". Retrieved April 17, 2013.
  42. ^ Tom Ashbrook (October 17, 2006). "On Betoken". Archived from the original on July 10, 2007. Retrieved July 19, 2007.
  43. ^ Guthmann, Edward (November 1, 2006). "Beloved, family, celebrity, grief – Leibovitz puts her life on display in photo memoir". The San Francisco Relate . Retrieved July 19, 2007.
  44. ^ Michelangelo Signorile. "Gay Abe, Sapphic Susan; On the difficulties of outing the expressionless". New York Printing.
  45. ^ Lemon, Brendan (January 5, 2005). "Why Sontag Didn't Want to Come Out: Her Words". Out . Retrieved Feb 2, 2018.
  46. ^ Wasserman, Steve. "Writer Susan Sontag Dies". LA Times . Retrieved October twenty, 2020.
  47. ^ a b Homberger, Eric (December 29, 2004). "Susan Sontag obituary". The Guardian . Retrieved Oct 20, 2020.
  48. ^ Robshaw, Brandon (September 26, 2009). "Against Estimation, By Susan Sontag". The Independent . Retrieved April fourteen, 2016.
  49. ^ Elizabeth S. Anker, Rita Felski (2017). Critique and Postcritique. Chapel Hill: Duke Academy Printing. p. 16. ISBN978-0-8223-6376-7.
  50. ^ "Focus on Photography – Free Online Library". Archived from the original on October one, 2015. Retrieved September 30, 2015.
  51. ^ Goldblatt, Marking (Jan iii, 2005). "Susan Sontag: Remembering an intellectual heroine". The American Spectator. American Spectator Foundation. Retrieved March 17, 2013.
  52. ^ Weinberger, Eliot (2007). "Notes on Susan". The New York Review of Books. 54 (13): 27–29. Archived from the original on March 5, 2016. Retrieved March 27, 2014.
  53. ^ Marsh B. (2007) Plagiarism: Abracadabra and Remedy in College Pedagogy, SUNY Press.
  54. ^ Kort, Carol (2007). A to Z of American Women Writers. Infobase Publishing. ISBN9781438107936.
  55. ^ Carvajal, Doreen. (May 27, 2002) "Then Whose Words Are They? Susan Sontag Creates a Stir." New York Times Volume Review.
  56. ^ Lavagnino, John (Apr 20, 2004). "Letters to the editor". Times Literary Supplement.
  57. ^ Miller, Laura (March 15, 1998). "www.claptrap.com". New York Times Book Review.
  58. ^ Calderone, Michael (May 9, 2007). "Regarding the Writing of Others". The Observer . Retrieved Apr 23, 2021.
  59. ^ a b c "Susan Sontag Provokes Debate on Communism". The New York Times. February 27, 1982. Retrieved September xiii, 2010.
  60. ^ "Novelist, Radical Susan Sontag, 71, Dies in New York", The Washington Times, December 29, 2004, accessed December 19, 2012
  61. ^ Sontag, Susan (September 24, 2001). "The Talk of the Boondocks". The New Yorker . Retrieved February 27, 2013.
  62. ^ Wolfe, Tom (October 31, 2000). Hooking Up. ISBN978-0374103828.
  63. ^ Paglia, Camille (1994). Vamps and Tramps: New Essays. New York: Vintage Books. pp. 347–348. ISBN978-0-679-75120-v.
  64. ^ Paglia, Camille (1994). Vamps and Tramps: New Essays. New York: Vintage Books. p. 345. ISBN978-0-679-75120-5.
  65. ^ Paglia, Camille (1994). Vamps and Tramps: New Essays. New York: Vintage Books. pp. 349–350. ISBN978-0-679-75120-5.
  66. ^ New York: Random House. 2018. ISBN 978-0-4252-8462-9, pp. 183–184
  67. ^ Taleb, Nassim Nicholas (May 27, 2017). "The Merchandising of Virtue". Medium . Retrieved June 1, 2019.
  68. ^ a b "National Book Awards – 2000", National Book Foundation, with essays past Jessica Hicks and Elizabeth Yale from the Awards' lx-yr ceremony blog, accessed March iii, 2012
  69. ^ Sontag, Susan (1991). Halpern, Daniel (ed.). "A Parsifal". Antaeus. New York: Ecco Press: 180–185.
  70. ^ Sontag, Susan (1993). Alice in Bed. New York: Farrar, Straus and Giroux. ISBN978-0374102739. OCLC 28566109.
  71. ^ Curty, Stefano. "Sontag and Wilson's Lady from the Sea World Premieres in Italy, May five Archived July 29, 2014, at the Wayback Auto, Playbill, May 5, 1998, accessed December 26, 2012
  72. ^ Sontag, Susan (Summer 1999). "Rewriting Lady from the Ocean". Theater. Knuckles University Printing. 29 (1): 89–91. doi:x.1215/01610775-29-1-88.
  73. ^ Overflowing 2019.
  74. ^ "1977 Winners & Finalists". National Volume Critics Circle . Retrieved December 25, 2020.
  75. ^ The John D. and Catherine T. MacArthur Foundation. "Encounter the 1990 MacArthur Fellows". Archived from the original on Oct four, 2013. Retrieved July ane, 2013.
  76. ^ a b c d Rollyson, Carl (2016). Understanding Susan Sontag. Understanding Gimmicky American Literature. University of South Carolina Press. pp. 110–112. doi:10.2307/j.ctv6sj92n.
  77. ^ "Susan Sontag Wins German Peace Prize". Deustche Welle. June 21, 2003. Retrieved December 25, 2020.
  78. ^ "Fatema Mernissi and Susan Sontag, Prince of Asturias Award for Literature 2003". Prince of Asturias Foundation. Retrieved November 9, 2019.
  79. ^ "Apps – Access My Library – Gale".
  80. ^ a b Sarajevo Theater Foursquare officially renamed to Theater Square of Susan Sontag, sarajevo.co.ba
  81. ^ Carter, Imogen (April 5, 2009). "Desperately thanking Susan". The Observer . Retrieved January 30, 2015.
  82. ^ Moser, Benjamin (Jan 30, 2014). "In the Sontag Athenaeum". The New Yorker . Retrieved September 23, 2020.
  83. ^ Schmidt, Jeremy; Ardam, Jacquelyn (October 26, 2014). "On Excess: Susan Sontag'south Built-in-Digital Annal". Los Angeles Review of Books . Retrieved September 23, 2020.
  84. ^ a b Lloyd, Robert (December eight, 2014). "'Regarding Susan Sontag' looks at a rock star of intellectuals". The Los Angeles Times . Retrieved September 23, 2020.
  85. ^ "Here Are Your TFF 2014 Award Winners". Apr 24, 2014. Retrieved August 31, 2014.

References

  • Poague, Leland (ed.) Conversations with Susan Sontag, Academy of Mississippi Printing, 1995 ISBN 0-87805-833-8
  • Rollyson, Carl and Lisa Paddock, Susan Sontag: The Making of an Icon, W. Westward. Norton, 2000
  • Alluvion, Alison (May thirteen, 2019). "Susan Sontag was true author of ex-husband's book, biography claims". The Guardian . Retrieved May xiv, 2019.
  • Weingrad, Michael. The Sorry Significance of Susan Sontag, online 'Mosaic,' November 12, 2019; (a review of B. Moser's volume 'Sontag').

Farther reading

  • Susan Sontag: The Elegiac Modernist by Sohnya Sayres, ISBN 0-415-90031-X (1990)
  • Susan Sontag: The Making of an Icon by Carl Rollyson and Lisa Paddock, ISBN 978-1628462371 (2000)
  • Sontag and Kael past Craig Seligman, ISBN 978-1582433127 (2004)
  • The Din in the Head past Cynthia Ozick, ISBN 978-0618470501 (2006; Sontag is discussed in the foreword, "On Discord and Want")
  • Swimming in a Ocean of Expiry: A Son'south Memoir by David Rieff, ISBN 978-0743299473 (2008)
  • Notes on Sontag by Phillip Lopate, ISBN 978-1400829873 (2009)
  • Susan Sontag: A Biography by Daniel Schreiber (trans. David Dollenmayer), Northwestern ISBN 978-0810125834 (2014)
  • Sempre Susan: A Memoir of Susan Sontag by Sigrid Nunez, ISBN 978-1594633348 (2014)
  • Tough Enough: Arbus, Arendt, Didion, McCarthy, Sontag, Weil by Deborah Nelson, ISBN 978-0226457802 (2017)
  • Susan Sontag und Thomas Mann by Kai Sina, ISBN 3835330217 (2017)
  • Sontag: Her Life and Work past Benjamin Moser, HarperCollins, ISBN 0062896415 (2019)

External links

  • Official website Edit this at Wikidata
  • Edward Hirsch (Winter 1995). "Susan Sontag, The Art of Fiction No. 143". The Paris Review. Winter 1995 (137).
  • "with Ramona Koval," Books and Writing, ABC Radio National, January 30, 2005
  • Susan Sontag and Richard Howard from "The Writer, The Work," a series sponsored by PEN and curated past Susan Sontag
  • Susan Sontag wrote an essay: On American Language and Culture from PEN American Centre
  • The Politics of Translation: Discussion, with panel members Susan Sontag, Esther Allen, Ammiel Alcalay, Michael Hofmann & Steve Wasserman, PEN American Center
  • Susan Sontag – Photos by Mathieu Bourgois.
  • The Friedenspreis acceptance speech (2003-ten-12)
  • Fascinating Fascism illustrated text of Sontag'southward foundational 1974 commodity on Nazi filmmaker Leni Riefenstahl's aesthetics, from Under the Sign of Saturn
  • Sontag's comments in The New Yorker, September 24, 2001 well-nigh the September xi assail on the United States
  • Terry Castle, Desperately Seeking Susan, London Review of Books, March 2005
  • Sheelah Kolhatkar, "Notes on camp Sontag" New York Observer, January eight, 2005
  • Susan Sontag at IMDb
  • 'Susan Sontag: The Collector,' by Daniel Mendelsohn, The New Commonwealth
  • A review of "Reborn" by James Patrick
  • Appearances on C-Span
  • In Depth interview with Sontag, March ii, 2003
  • Susan Sontag on the Muck Rack announcer listing site Edit this at Wikidata

morganhinglew38.blogspot.com

Source: https://en.wikipedia.org/wiki/Susan_Sontag

Postar um comentário for "The Art of the Story Daniel Halpern Pdf Free"